Between strong and weak copyright: their impacts on the Korean music industry
Document Type
Article
Publication Date
9-1-2024
Abstract
A common perception is that a strong copyright regime protects cultural diversity and creativity; thus, it should be well developed, implemented, and respected. However, this belief may be different for certain industries or countries. In other words, strong copyright may not bring about a positive impact as expected whereas weak copyright can bring about positive impacts contrary to one's expectations, which is different from the conventional belief on copyright. This paper explores this issue with the Korea music industry. Although this industry has recently enjoyed global popularity with K-pop, it was lesser-developed as it endured many difficulties over several decades. By comparing and analyzing these two contrasting periods, the case of the Korean music industry demonstrates that both weak and strong copyright has helped with its development. This interesting case can provide meaningful implications regarding the practice and development of copyright and its impact on the growth of the music industry, particularly in the era of digitization.
Keywords
K-pop, Korean music industry, copyright, weak copyright, digitization
Divisions
East
Funders
Universiti Malaya (IF057-2021),Institute of Communication Research, Seoul National University
Publication Title
International Journal of Cultural Policy
Volume
30
Issue
6
Publisher
Taylor & Francis
Publisher Location
2-4 PARK SQUARE, MILTON PARK, ABINGDON OX14 4RN, OXON, ENGLAND